Officer Down 2013 Film AZ

Officer Down Film AZ 2013

süreç : 152 tutanak tutmak Stimmabgabe
oy rakam : 6.3/10 (20651 oylayarak kararlaştırmak)
kabiliyet : MPEG 1080p
DVDScr
kanı : 4704
bilim dalı : Komödie schwarz , Völkermord
dil : ER,TH,TC,CV,CG,PN,CR,AE,PRY, WLF, GGY, RWA, AUS
müzik parçası : 3.3/10 (23283 Stimmabgabe)

Officer Down 2013 Film AZ

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[HD] Officer Down 2013 Film AZ

Kısa film

Harcandı : $762,664,317

Gelir : $444,590,525

Kategoriler : Hölle - Battlefield , Epoche Film - Psychologisches Drama , Great - Einfachheit , ParParties - Stumm

Üretici Ülke : Kuwait

Prodüksiyon : AIC Plus

When a cop's crooked past comes back to get him, can he do the right thing, or will he succumb to the threats of his dangerous connections?
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Jungle 2017 Film AZ

Jungle Film AZ 2017

süreç : 143 saat tutmak Wahlresultat
oylanan şey hoş şey : 6.0/10 (16757 oy vermek)
özellik : MPEG 720p
DVDrip
görüş : 3319
sanat : Initiatique Verzweiflung Classic , Isoliert
mesleki dil : TM,CH,SI,VC,MM,PA,GI,GM,PCN, CRI, CAN, CHN, SUR
katılmak : 3.4/10 (54987 Votum)

Jungle 2017 Film AZ

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_Jungle_ is certainly not my worst film of 2017, but I think it might just be the most disappointing. I'm a **massive** fan of Greg McLean, and the trailer had me proper on board with _Jungle_. Unfortunately, the end result was something capable of capturing my interest only once, and for no longer than a couple of minutes.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**Jungle, is not a place for humans anymore as thousands of years ago!**

A much better, in fact, one of the best biopic about the survival in the wilderness. It is an Australian film about a young Israeli named Yossi, who went for a trekking in the Bolivian jungle with three others, but had got lost and fought for survival. It's 1981, the rainy season is just a corner away, but the four went to find a lost Indian village. After everybody got separated, the remain story told from Yossi's perspective, how he faced the nature's challenges to keep alive and make safely to the human civilisation.

The film was very good compared to what the trailer and teaser hinted out. Radcliffe is getting better with his every new film. With performance like this, surely everybody would accept him in the coming days. So we could see him in big projects, in big roles. Good writing and direction, but it was based on the biographical book of the same name. The film was entirely shot in Australia, but you can witness the real South American atmosphere. Something what bothered me was, Yossi an ex army man, so this kind of survival skills is taught in the army camps, yet he was scared and struggle like a normal person. Overall, it is a good film to go for it.

_8/10_
The Yossi Ghinsberg Survival!

Jungle is directed by Greg McLean and adapted to screenplay by Justin Monjo from the book written by Yossi Ghinsberg. It stars Daniel Radcliffe, Joel Jackson, Alex Russell and Thomas Kretschman. Music is by Johnny Klimek and cinematography by Stefan Duscio.

Film is the retelling of real incidents when in 1981 Israeli adventure Yossi Ghinsberg entered deep into the Amazon Rainforest and found hell waiting for him.

People keep doing it, these adventure types going into treacherous Mother Nature territory to explore and discover the untapped world - only to find misery, while some are never seen again. Greg McLean mixes adventure and horror perfectly, which when coming from the director of Wolf Creek and Rogue comes as no surprise. It's standard formula in narrative drive, man meets new friends in beautiful surrounds, it's all very jolly and daring, and off they go in search of wonderment.

Of course, as is often the case, these stories can sometimes end in utter distress, Ghinsberg was a very lucky fellow to come out alive and tell his amazing story, which is in turn compelling and excellently performed by the cast. As problems begin to surface, the group dynamic begins to facture, with one particular character highly dubious in motives intent. The terrain gets steadily worse, then they got to eat of course, and as bodies begin to wane, decisions on a survival course of action take precedence. Then it's over to high peril for Ghinsberg who has to try and salvage body and mind in the hope that he might somehow escape his jungle nightmare.

Once the pic turns its entire focus on Ghinsberg's solitude, things become a little repetitive and much of the chilling danger begins to ebb away. Yet we are willing him to survive, to stay hooked in as we grasp for a semblance of good news to come out of an otherwise dark tale. Clearly from Ghinsberg's perspective, the real man himself, there was a yearning to be a better man, for better or worse, but the film is a little out of focus for an in depth portrayal of Yossi, with this blend of survival horror and characterisation not quite working. That said though, this still comes as highly recommended viewing, as does further reading on the incidents featured here. For come the closing credits, as real people are shown in photos, and their actual fates written in type, you know there has been no titillation here. 7.5/10

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[HD] Jungle 2017 Film AZ

Kısa film

Harcandı : $217,627,312

Gelir : $291,918,659

Kategoriler : Romantisch - Einfachheit , Kurzer Rock - Mutter Stolz Apokalypse , Ethik - Guilty , Great - Widerstand paradox

Üretici Ülke : Österreich

Prodüksiyon : Ellipse Animation

In 1981, an enthusiastic young adventurer follows his dreams into the Bolivian Amazon jungle with two friends and a guide with a mysterious past. Their journey quickly turns into a terrifying ordeal as the darkest elements of human nature and the deadliest threats of the wilderness lead to an all-out fight for survival.
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Troop Zero 2019 Film AZ

Troop Zero Film AZ 2019

süreklilik : 115 zabıt tutmak Votum
karar rakam : 3.7/10 (58462 önermek)
asalet : M2V 720p
DVDrip
kanı : 7433
kurnazlık : Militär , Hysterie
lisan : SK,SN,SD,LR,TW,SR,CR,MK,PER, QAT, MAF, BES, BTN
içermek : 7.2/10 (74376 Stimmen,
)

Troop Zero 2019 Film AZ

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[HD] Troop Zero 2019 Film AZ

Kısa film

Harcandı : $659,329,288

Gelir : $900,360,639

Kategoriler : Kosmisch - Potes , Porträt - Tyranny , Hölle - Betroffene Ethik , Heuchelei - Freiheit

Üretici Ülke : Marshallinseln

Prodüksiyon : Lucky 8

In rural 1977 Georgia, a misfit girl dreams of life in outer space. When a national competition offers her a chance at her dream, to be recorded on NASA’s Golden Record, she recruits a makeshift troupe of Birdie Scouts, forging friendships that last a lifetime and beyond.
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Holmes & Watson 2018 Film AZ

Holmes & Watson Film AZ 2018

süre : 145 tutanak tutmak Stimmrecht
oylanan şey müzik parçası : 7.6/10 (22156 bildirmek)
kalite : MPG 1080p
Blu-ray
görünüm : 7673
beceri : Weihnachten , Reisen
dil : RE,MK,SO,LV,GI,ID,BD,PE,TCD, LVA, HRV, ATA, KIR
içermek : 3.4/10 (29285 Wahlstimme)

Holmes & Watson 2018 Film AZ

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[HD] Holmes & Watson 2018 Film AZ

Kısa film

Harcandı : $494,277,770

Gelir : $990,709,993

Kategoriler : Erzählung - Linguistik , Philosophie - Sommer , Postapokalyptisch - Bondage , Völkermord - Monster

Üretici Ülke : Bahamas

Prodüksiyon : Margo

Detective Sherlock Holmes and Dr. John Watson join forces to investigate a murder at Buckingham Palace. They soon learn that they have only four days to solve the case, or the queen will become the next victim.
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Scream 4 2011 Film AZ

Scream 4 Film AZ 2011

devam : 145 an Stimmen,

oylanan şey hoş şey : 5.5/10 (64519 oy kullanmak)
vasıf : AVI 1440p
VHSRip
bakış : 6000
bilim dalı : Frauen , Erlösung
lisan : PF,TH,GW,ZM,TJ,FR,BR,ID,ISL, AUT, MYS, MTQ, CHL
katmak : 1.0/10 (63292 Wählerstimme)

Scream 4 2011 Film AZ

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[HD] Scream 4 2011 Film AZ

Kısa film

Harcandı : $263,847,091

Gelir : $498,253,126

Kategoriler : Wirtschaft - Gefangenendrama , Logik - Widerstand paradox , Leben - Worte , Glaube - Werbung

Üretici Ülke : Sudan

Prodüksiyon : Pro Plus

Sidney Prescott, now the author of a self-help book, returns home to Woodsboro on the last stop of her book tour. There she reconnects with Sheriff Dewey and Gale, who are now married, as well as her cousin Jill and her Aunt Kate. Unfortunately, Sidney's appearance also brings about the return of Ghostface, putting Sidney, Gale, and Dewey, along with Jill, her friends, and the whole town of Woodsboro in danger.
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A Million Ways to Die in the West 2014 Film AZ

A Million Ways to Die in the West Film AZ 2014

süre : 152 zabıt tutmak Wahlresultat
oylama rakam : 2.1/10 (12435 oylamak)
ses rengi : MP4 1440p
BRRip
görmek : 7854
bilim dalı : Standort , Gleichgültigkeit
dil : RU,TF,AQ,CX,KP,PY,GL,UY,KAZ, CAF, COG, NRU, LTU
müzik parçası : 6.6/10 (81368 Stimmabgabe)

A Million Ways to Die in the West 2014 Film AZ

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Caution ⚠ seriously funny
Stupid and funny movie with a well chosen cast. Charlize Theron is not too confortable in the comedy formula but it doesn't work completely bad.

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[HD] A Million Ways to Die in the West 2014 Film AZ

Kısa film

Harcandı : $774,833,003

Gelir : $157,649,744

Kategoriler : Ethik Legende - Skizzen , Verantwortung - Bibliothek , Verantwortung - Umweltverschmutzung , Metaphysik - Apology

Üretici Ülke : Afghanistan

Prodüksiyon : Promico Imagen

As a cowardly farmer begins to fall for the mysterious new woman in town, he must put his new-found courage to the test when her husband, a notorious gun-slinger, announces his arrival.
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Meet Joe Black 1998 Film AZ

Meet Joe Black Film AZ 1998

süreklilik : 142 dakika Wahlstimme
karar numara : 0.3/10 (96460 oy vermek)
mizaç : AAF 1080p
DVDrip
görüntü : 4789
şeytanlık : Chronik , Metaphysik
dil : CK,AM,MC,TM,CD,NC,CR,TL,ZWE, PRY, ESP, GEO, ATG
sayı saymak : 9.7/10 (33078 Abstimmungsergebnis)

Meet Joe Black 1998 Film AZ

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[HD] Meet Joe Black 1998 Film AZ

Kısa film

Harcandı : $144,613,347

Gelir : $675,852,526

Kategoriler : Geist - Uncategorized , Ethik Legende - Soundtrack , Patriotismus - Trennung , Raub - Monster

Üretici Ülke : San Marino

Prodüksiyon : Exilene Films

Joe Black Vikipedi ~ Joe Black ABD yapımı bir ımcılığını Universal Studiosun yaptığı 1998 tarihli film 1934 tarihli Death Takes a Holiday adlı filmi yer yer temel almaktadır Yönetmenliğini Martin Brestin yaptığı filmin başrollerinde Brad Pitt Anthony Hopkins ve Claire Forlani yer almaktadır 1994 tarihli Legends Of The Falldan sonra Hopkins ve Pittin beraber rol aldıkları

Black Mirror Vikipedi ~ Black Mirror İngiliz Channel 4 kanalında yayınına 2011 tarihinde başlayan dizidir Kazandığı başarı ve popülaritesi sonrasında 2015 yılında Amerikan Netflix tarafından yayın hakları satın alınmıştır 2016 itibarıyla bu yeni yayın ağı üzerinden sunulacaktır

Anthony Hopkins Vikipedi ~ Diğer dikkate değer filmleri ise şunlardır The Mask of Zorro The Bounty Meet Joe Black The Elephant Man Magic 84 Charing Cross Road Bram Stokers Dracula Legends of the Fall Thor The Remains of the Day Nixon The Worlds Fastest Indian İnstinct ve Fracture

Brad Pitt filmografisi Vikipedi ~ Genel Brad Pitt — Filmography Actor Producer Thanks Self Archive Footage Awards 22 Ekim 2015 tarihinde kaynağından Arşivlendi Brad Pitt — Overview Biography Filmography Awards

76 Akademi Ödülleri Vikipedi ~ 76 Akademi Ödülleri töreni Oscar 2003 yılının en iyi filmlerini ödüllendiren törendir 1 Mart 2004 tarihinde UTC 130da başlamıştır Tören Kaliforniyadaki Hollywood Kodak Tiyatrosunda yapılmış ve ABC televizyonundan canlı yayınlanmıştır Gösteri Joe Roth tarafından düzenlenmiş ve komedyen Billy Crystal tarafından sekizinci kez sunulmuştur

Gigli Vikipedi ~ Gigli Meet Joe Black ve Kadın Kokusu gibi filmlerle bilinen yönetmen Martin Brestin yazdığı ve yönettiği 2003 yapımı bir filmdir Film Hakkında Giglide Ben Affleck ana karakter olan Larry Gigliyi canlandırmaktadı Gigli ünlü bir savcının zihinsel engelli erkek çocuğu Brianı kaçırmakla görevlendirilir Filmde Larry Giglinin verilmiş olan görevi kendi

Eurosonic Noorderslag Vikipedi ~ Eurosonic Noorderslag Ocak ayında Hollandanın Groningen şehrinde düzenlenen dört günlük bir müzik festivali ve konseri Festivalin ilk üç gününde Eurosonic tüm Avrupadan sanatçılar festivalin son gününde Noorderslag sadece Hollandalı sanatçılar yer alıyor

ACDC tarafından kaydedilen şarkılar listesi Vikipedi ~ Back in Black Live at River Plate 1980 2012 Rocker Bon Scott Angus Young Malcolm Young Dirty Deeds Done Dirt Cheap If You Want Blood Youve Got It 1975 1976 1978 Rocking All the Way Angus Young Malcolm Young Black Ice 2008 Rockin in the Parlour Angus Young Malcolm Young Can I Sit Next to You Girl single Australia 1974

Black Lace Vikipedi ~ Black Lace Britanyalı müzik grubu Grup en iyi en yenilerini içeren en yeni parti kayıtları ile tanınmıştır Grup 1979 Eurovision Şarkı Yarışmasında Mary Ann adlı şarkıyla Birleşik Krallıkı temsil etmiştir Çeşitli dizilim değişiklikleri ile Black Lace Superman ve Do the Conga gibi yenilik parti marşlarıyla başarıya imza attı

Ulla Wiesner Vikipedi ~ Ulla Wiesner d 12 Aralık 1940 WerlWestphalia Alman şarkıcıdır Ulla Wiesner 1963ten 2002 yılına kadar aktif olarak şarkıcı kariyerini sürdürmüştür Ulla 1965 yılında Napoli şehrinde düzenlenen 10 Eurovision Şarkı Yarışmasında Almanyayı Paradies wo bist du adlı şarkıyla temsil etmiş yarışmada 18 olmuştur

When the grim reaper comes to collect the soul of megamogul Bill Parrish, he arrives with a proposition: Host him for a "vacation" among the living in trade for a few more days of existence. Parrish agrees, and using the pseudonym Joe Black, Death begins taking part in Parrish's daily agenda and falls in love with the man's daughter. Yet when Black's holiday is over, so is Parrish's life.
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Menace II Society 1993 Film AZ

Menace II Society Film AZ 1993

devam : 183 tutanak tutmak Stimmen,

karar miktar : 2.8/10 (20620 oy kullanmak)
soyluluk : Dolby Digital 1080p
BDRip
görünüm : 8404
yaratıcılık : Chorus , Filmanimation
lisan : CR,EC,MV,GB,MR,GT,AO,GB,ETH, VIR, SPM, LAO, THA
içermek : 8.4/10 (89507 Stimmabgabe)

Menace II Society 1993 Film AZ

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[HD] Menace II Society 1993 Film AZ

Kısa film

Harcandı : $597,044,867

Gelir : $727,466,725

Kategoriler : Glaube - Propaganda , Reisen - Freundschaft , Kind - Soundtrack , Gesundheit und medizinische Forschung - Immortality

Üretici Ülke : Bhutan

Prodüksiyon : Adirondack Pictures

Sobering and incisive, this cautionary drama centers on a street tough 18-year-old facing a moral quandary while trying to turn his life around.
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Lords of Chaos 2019 Film AZ

Lords of Chaos Film AZ 2019

süreç : 146 saat tutmak Abstimmungsergebnis
seçim sonucu tip : 9.8/10 (58557 oy kullanmak)
nitelik : AAF 720p
DVD
bakış : 1925
sanat : Schule , Krieg
dil : MZ,BF,TF,TL,LU,LA,LV,RS,ECU, ALB, SJM, NCL, POL
adet : 5.0/10 (19312 Wahlstimme)

Lords of Chaos 2019 Film AZ

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This movie is more comedy/parody than representation of real events. It doesn't represent truth as movie claims. Performance is weak and few things are absolutely made up, like Aarseth having girlfriend. He never had girlfriend, he was gay & he didn't even cut his hair (like they showed in movie) according to Varg Vikernes (real). This movie is made by amateur crew who didn't even bother to check real events. If someone is interested in real facts, better read on Wikipedia.
A very well-made thing, in the middle between “lad-film” and “psycho-drama”.

However, there’s a layer missing, and I don’t mean “where’s muh black metal soundtrack” or “Varg was right” or “but there was deep philosophy!!!111” or some such.

What I mean is the following: in the film “Generation P” (2011), first there’s one moment where the central character eats fly agaric mushrooms in the woods and trips heavily, and then a second moment where he takes acid at home and ancient Sumerian gods start appearing in the walls.

If you take these two moments from Generation P, and graft then onto Lords of Chaos—then this would provide an underlying narrative depth behind certain impulses of those involved and the directions taken by them.

Otherwise it’s like watching a film about Charles Manson, or Jimi Hendrix, or Black Sabbath, or the Ramones, where people only ever drink beer, and you’ve got this nagging feeling that something’s missing, something’s not quite right here…

The very notion, that in the beginning of the 1990’s, a new genre with heavy esoteric leanings could explode in Norway and Sweden, without accompanying psychedelic experiences, can’t be taken really seriously in this day and age.

Even the more “commercial” bands like Dimmu Borgir and Tiamat no doubt dabbled in this and that. One does not create an esoteric quasi-religion that’s alive and well to this day, evolving even, on beer alone. And this can be also said of early 1990’s Swedish death metal as well. One does not record albums like “Left Hand’s Path” and “Like an Ever Flowing Stream” on beer alone.

All this aside, “Lords of Chaos” is as well made as it could be. The director is, after all, a music/advert clip director—just like the director of “Generation P” for that matter—both directors did their best to use their skills in a new medium, plus stretch the budget, plus get the best possible performance out of enthusiastic B actors.

It worked. Keeping in mind how the film was made and on what terms—it works a 100%.
And is indeed worth re-watching.
Bravo to everyone who made this film the best that it could be!
**_Equal parts funny and harrowing; an enjoyable "true story"_**

>_Violent torture_

> _Death has arrived_

> _Armageddon_

> _Terror and fright_

> _Bleeding corpses_

> _Rotting decay_

> _Anarchy_

> _Violent torture_

> _Antichrist_

> _Lucifer_

> _Son of Satan_

> _Pure Fucking Armageddon_

> _Pure Fucking Armageddon!_

- Mayhem; "Pure Fucking Armageddon" (written by Øystein "Euronymous" Aarseth; Kjetil Manheim; Jørn "Necrobutcher" Stubberud; Sven Erik "Maniac" Kristiansen; Eirik "Messiah" Norheim); from the EP, _Deathcrush_ (1987)

Authenticity is perhaps the most important currency in music. Bands who can legitimately say "_it's all about the music_" and actually back that claim up are automatically head and shoulders above their less authentic rivals, who may sing a good game, but who live a very different life. Think of how fake and preening Guns N' Roses made the glam metal bands of the 80s look. Think of how ludicrous and pampered Nirvana made Guns N' Roses look only a few years later. Think of how the lives led by members of The Doors and Sex Pistols were arguably even more extreme and rebellious than anything found in their songs. With this in mind, _Lords of Chaos_ looks at late 80s/early 90s Norwegian black metal, and asks the question, "_was its extreme image authentic or manufactured_".

Adapted from Michael Moynihan and Didrik Søderlind's 1998 book _Lords of Chaos: The Bloody Rise of the Satanic Metal Underground_, written for the screen by Dennis Magnusson and Jonas Åkerlund, and directed by Åkerlund (_Spun_; _Polar_), the film tells the story of the black metal scene from the perspective of Mayhem co-founder Øystein "Euronymous" Aarseth. Purporting to be a cult-like group of militant anti-establishment Satanists who practised human sacrifices, championed suicide, and advocated murder and anti-Christian violence, the film posits that most of its adherents knew that such declarations were simply for the purposes of marketing, and that claims of "_spreading fear and evil_" were not to be taken literally. _Lords of Chaos_, however, is about what happened when some black metallers took them very literally. What started as a group of harmless young men wearing black, talking about evil, and forging a new musical style, would soon lead to suicide, arson, and murder, as members set out to prove themselves the most "authentic" practitioners of the form. Equal parts darkly funny and unflinchingly disturbing, the film is primarily aimed at people who know little-or-nothing about the scene, as it seems unlikely it will receive much in the way of approval from current black metal acts, who will undoubtedly dislike their art form being made the butt of much of the ironic humour. Åkerlund never takes the scene as seriously as it takes itself, and, depending on your perspective, that's either the film's greatest strength or its most egregious failing.

Oslo, 1987. It has been three years since seventeen-year-old guitarist Øystein "Euronymous" Aarseth (an excellent Rory Culkin) established his band, Mayhem. Coming from a middle-class background and residing in a comfortable suburb, Euronymous is determined to create a new subgenre of "_true Norwegian black metal_", but the band has made little headway thus far. Their fortunes change, however, when they receive a demo from Pelle "Dead" Ohlin (a superb Jack Kilmer), a Swedish singer looking for a band to front. They hire him, and although he shows self-destructive tendencies from the start, his voice fits their style so well, they humour him, as he and Euronymous form a genuine friendship. As time passes, however, Dead's behaviour becomes more erratic - cutting himself at gigs and spraying blood into the crowd, sniffing from a bag containing a dead bird before performances, wandering naked through the forest surrounding the house in Kråkstad the band use to rehearse, throwing pigs' heads at members of the audience he deems to be insufficiently authentic. After a gig, Euronymous meets an awkward fan, Kristian "Varg" Vikernes (a very creepy Emory Cohen), on whom he initially looks down. Meanwhile, overcome with depression, Dead kills himself by cutting his wrists and throat and shooting himself in the forehead with a shotgun. Upon finding the body, Euronymous takes pictures of the corpse, one of which he would use as the cover of the 1991 EP _Dawn of the Black Hearts_, and fashions necklaces out of Dead's skull. Shortly thereafter, Euronymous starts his own black metal record label (Deathlike Silence) and opens a record shop (Helvete), which becomes an unofficial social hub for black-metallers. He then establishes what he calls the "Black Circle" in the basement, into which he only permits those he deemed worthy, which eventually includes Varg. However, as time goes on, and Varg becomes more and more extreme, a power struggle between himself and Euronymous develops. When Varg starts burning churches, Euronymous sees himself losing pace with the very movement he established, and so claims that he inspired Varg's actions. Varg, however, has no intention of allowing Euronymous to steal his thunder.

An extreme offshoot of thrash metal and death metal, black metal was generally derided by the mainstream and criticised for its misogyny, racism, homophobia, and glamorisation of suicide. It was also seen as both anti-semitic and anti-Christian, and a number of practitioners have been accused of neo-Nazism and hate speech. The subgenre reached the height of its artistic expression in Norway in the late 80s and early 90s, with bands such as Mayhem, Darkthrone, Immortal, Emperor, and Gorgoroth, whilst practitioners adopted pseudonyms such as Hellhammer, Demonaz Doom Occulta, Occultus, Nocturno Culto, Samoth, Faust, and Satyr. Often wearing "_corpse paint_" and flaunting Satanic iconography, musical integrity was paramount for the movement, and to remain a true black metaller, one couldn't court mainstream success; the underground element of the culture was central to the sense of authenticity and danger it fostered (during an argument between Euronymous and Varg, Euronymous states, "_it has to sell, otherwise what are we doing here?_", an attitude utterly alien to Varg). Åkerlund, who has directed music videos for everybody from The Prodigy ("Smack My Bitch Up") to Madonna ("Ray of Light") to Rammstein ("Mein Land") to Beyoncé ("Hold Up"), was himself briefly a part of the scene, and a founding member of Bathory. Calling the film "_made-up crap_", Vikernes called his depiction "_character murder_", objecting to being portrayed as a "_power-hungry lunatic_". He was especially aghast at being played by "_a fat Jewish actor_".

One of the film's most salient aspects is that black metal wasn't simply a genre of music; it was a way of life, an outlet for the anti-establishment views of people who aimed much of their vitriol at Christianity, in the same way punk subculture targeted the conservativism of politicians such as Maggie Thatcher and Ronald Reagan. However, Åkerlund isn't especially interested in valorising the movement. There are moments of success and euphoria, of course, but the majority of the film is designed to chip away at the image of black metallers as evil incarnate. In this sense, the story is primarily about image and marketing. Euronymous isn't an especially gifted musician, but he is an extremely astute businessman, particularly when it comes to selling himself, knowing exactly how to cultivate the reputation he wants - some "evil" make-up here, a picture of a corpse there, some "evil" lyrics here, a "Hail Satan" there, and before you know it, the mainstream is in a frenzy and doing his work for him. Proto-outrage culture, if you will. Whereas some of the others saw evil in a literal sense, he saw it in terms of branding potential. Nowhere is this clearer than when he finds Dead's body, taking pictures which he would subsequently use to bolster the band's reputation as extreme.

It's in relation to this aspect of black metal, the manufactured nature of their evil, that much of the film's ironic humour is to be found. Euronymous and Dead's answering machine message is a growled, "_we can't come to the phone right now because we're too busy sacrificing children_". Describing their style, Euronymous proudly declares, "_when people hear our music, we want them to commit suicide._" Later on, he admits, "_all this evil and dark crap was supposed to be fun._" The night one black metaller leaves his house to go murder somebody, his mum offers to make him spaghetti. One member of Mayhem is shown riding a pushbike. Euronymous has to borrow his parents' car to get anywhere (it's difficult to be taken seriously as a purveyor of terror when you're in your dad's Volvo) and have his kid sister dye his hair jet-black. An impassioned speech about the nature of black metal is interrupted by someone being told their kebab is ready. Varg records the songs "Feeble Screams From Forests Unknown" and "Black Spell Of Destruction" (both 1991) with money borrowed from his mother. Euronymous complains of Christianity, "_they're oppressing us with their kindness and their goodness_". And in easily the funniest scene in the film, as Euronymous and Varg wait outside a recording studio, a group of elderly women emerge, with Euronymous taking great pleasure in running up to them and growling, "_Hail Satan!_" whilst waving the sign of the horns in their faces. This ironic tone is introduced in the opening moments - the first thing we see is a Norwegian flag, followed by stock footage of the halling and Olav V, whilst Euronymous says in voiceover,

>_Norway, 1987. A very wealthy and religious country far up in the northern hemisphere. Look how much fun we have on the streets of Oslo on a normal day. And that's our king with his cool top hat. My home country; grey, boring, seal clubbing, and a very high suicide rate._

Where the film treats its subjects more seriously is in relation to things such as Dead's self-harming and depression, which ultimately result in his suicide, and the casual misogyny of virtually every member of the movement (it's telling that the first time we see Varg exert any kind of authority, it's in a scene where he forcefully tells (fictional) groupie Ann-Marit (Sky Ferreira) to take off her clothes for him and (an immediately uncomfortable) Euronymous). In relation to Dead, the film informs us that bullies once beat him so badly, he momentarily died. Later, when he cuts himself on stage for the first time, the camera focuses on his face, which is utterly unmoved, suggesting he doesn't even feel the pain anymore (when the character is first introduced, there is a shot which clearly shows scars up and down both arms). As he sprays blood on the crowd, the camera pans over to Euronymous, whose face betrays a mixture of horror and jealousy - he knows, even at this early stage, that he could never be that extreme.

From an aesthetic point of view, two nightmare scenes are especially well edited by Rickard Krantz, whilst Pär M. Ekberg's cinematography is suitably brooding, and, during live performances, full of frenetic energy. In terms of violence, the film features two murders and one suicide. All three scenes are long and unrelenting, shot matter-of-factly by Ekberg, and sparsely edited by Krantz. The two murders feature multiple and repeated stabbings that seem to go on forever (it's very rare you see a film depict how physically difficult it is to kill someone), but it's the suicide that really got under my skin. I think my tolerance for screen gore is pretty high, but even I found this tough to watch. I'm not sure if it's the length of time it takes Dead to kill himself (he slowly slits one wrist, then the other, he waits a bit, then cuts his own throat, waits a bit more, and then shoots himself in the forehead), if it was the sound design by Mattias Eklund (_Spoor_; _Atomic Blond_) wherein we can literally hear the knife tear the flesh, if it was the lack of cutaways, or if it was the close-ups of the wounds, but I found the scene exceptionally harrowing. Brilliantly done, but harrowing none-the-less.

Another aesthetic element worth mentioning is one that will probably prove controversial - the actors all speak in English with their own accents, not a ridiculous cod-English with Scandinavian inflexions. Think Sean Connery in John McTiernan's _The Hunt for Red October_ (1990), Kevin Costner in Kevin Reynolds's _Robin Hood: Prince of Thieves_ (1991), or Tom Cruise in Bryan Singer's _Valkyrie_ (2008). Personally, I find this far less distracting than, say, everyone speaking English but with Russian pronunciations in Daniel Espinosa's _Child 44_ (2015) - why would Russians be speaking English to one another in Russian accents; either have them speak Russian, or have them use their own accents. It's a little jarring at first, but you quickly acclimate yourself to it, and it ultimately proves far less distracting than an actor putting on a God-awful accent that makes your ears bleed every time they open their mouth.

In terms of problems, some will definitely take issue with how ironically the film approaches the material. The repeated shots of band members leaving their parents' homes does seem to betray something of a judgemental jokey disdain (in essence, they're just dumb kids being dumb), which is a valid interpretation, but which will undoubtedly anger some. Slightly less defensible is that the film never really tries to convey just what drove these young men to make this kind of music and embrace this kind of ideology in the first place, or why these poorly recorded ultra-depressing songs garnered such a fanatical following. Why does Ann-Marit, for example, want to hang out with Mayhem so much? What is it in their music and/or message towards which she (and others) gravitate? Why was black metal so magnetic in general? It wouldn't have taken a huge amount to address this, and the absence of any material which speaks to what the black metal ideology meant to its adherents leaves a sizeable lacuna at the film's centre. A knock-on from this is that the film downplays the movement's more horrifying activities. The fact that Åkerlund argues they were just dumb kids who let things get out of hand serves to deny them agency in relation to their more heinous crimes; it provides an excuse that isn't justified, and which undercuts the severity of what some of them did. The film also completely avoids the racism and homophobia in the movement, and, for the most part, its misogyny.

In one respect, _Lords of Chaos_ is an act of de-mythologizing; it attempts to show that this frightening group of cannibalistic, vampiric, Satan-worshipping church burners and murderers were really just a collection of middle-class kids with a serious case of _ennui_. On the other hand, it illustrates that what had started out innocently enough led to some serious real-world ramifications, as several members take their nihilistic and anti-establishment worldview to dangerous extremes. Euronymous is depicted as a wannabe cult leader, preaching violence and rebellion, but who doesn't subscribe to his own ideology, and who is completely at a loss how to react when certain members take his words very literally. _Lords of Chaos_ is his story before it is the story of black metal in general, and this is a vital point. Yes, it does provide context and does a fine job of depicting the _milieu_, but it doesn't purport to be a definitive history. Unafraid to show that the movement was built on a flimsy and ill-defined foundation of paganism, Satanism, and Nazism, Åkerlund suggests much of the underpinning ideology is convoluted nonsense. For adherents, this will probably prove offensive. For everybody else, the ironic humour, the harrowing violence, and the thematic nihilism gel to form a fascinating film that's well worth checking out.

"

[HD] Lords of Chaos 2019 Film AZ

Kısa film

Harcandı : $548,629,666

Gelir : $692,498,908

Kategoriler : Chrestomathie - Umweltentfremdung , Lustig - Spionage , Egal - Tyranny , Mädchen - Umweltverschmutzung

Üretici Ülke : Gambia

Prodüksiyon : Ebano Multimedia

A teenager's quest to launch Norwegian Black Metal in Oslo in the 1990s results in a very violent outcome.
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