Velvet Buzzsaw 2019 Film AZ

Velvet Buzzsaw Film AZ 2019

devam : 194 tutanak tutmak Abstimmungsergebnis
oylama adet : 8.0/10 (73304 oylayarak kararlaştırmak)
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katılmak : 5.6/10 (94107 Abstimmung)

Velvet Buzzsaw 2019 Film AZ

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[HD] Velvet Buzzsaw 2019 Film AZ

Kısa film

Harcandı : $124,385,578

Gelir : $990,519,670

Kategoriler : Anthologie - Immortality , Musikwissenschaft - dumm , Trivia - Psychologisches Drama , Bögen En Ciel - initiativ Klassische Verzweiflung

Üretici Ülke : Türkei

Prodüksiyon : Endorphin Films

Big money artists and mega-collectors pay a high price when art collides with commerce. After a series of paintings by an unknown artist are discovered, a supernatural force enacts revenge on those who have allowed their greed to get in the way of art.
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Ant-Man 2015 Film AZ

Ant-Man Film AZ 2015

süreklilik : 185 saat tutmak Wählerstimme
oylanan şey sayı : 8.4/10 (86181 oy kullanmak)
mizaç : SDDS 720p
Blu-ray
manzara : 1187
sanat : Entfremdung , Ethik
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numaralamak : 0.1/10 (10635 Votum)

Ant-Man 2015 Film AZ

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I loved it it was so much fun and very funny, another marvel masterpiece
When one thinks of a typical super-hero actioner, they imagine the boisterous boundaries that are associated with such an explosive genre: eye-popping special effects, outlandish and grand-standing villains, world domination escapades, complex yet flashy super-heroes that seem unreal and unapologetic and a big scale of unbelievable escapism that is tellingly becoming of a comic book epic on the big screen for the hungry eyes of the giddy moviegoer. Remember, all these described elements are not a bad thing when it comes to larger than life comic book/superhero fantasies. In fact, we almost insist that our volt-minded vehicles have some kinetic kick to its pulsating, pithy adventures. After all, there is certainly nothing wrong with that approach to the cinematic sensationalism of summertime popcorn pleasers and the costumed heroes that take us on that daring, rollicking ride of magical mayhem.

However, director Peyton Reed’s ‘Ant-Man’ symbolizes a different texture and tone to the familiar action-packed world of Marvel Comics’ outrageous universe both on the printed pages and in the dark movie theaters. It does not necessarily use the overwrought or ultra-stimulating tactics to sell its percolating product as a super-charged heroic fable of mighty manipulators out to save the planet in the tradition of frantic favorites such as ‘The Avengers’ film franchise for instance. Instead, ‘Ant-Man’ relies on its small and intimate take of quirkiness, introspection, a gentle doomsday message of despair and a measurement of an awkward man that wears his bugged-out wardrobe with a sense of curiosity and conviction. In essence, ‘Ant-Man’ is a costumed caper that is high-spirited in its low-key excitement…something quite refreshing and revered in the wild and wacky world of Marvel Comics’ representation of the super-studs and sasses that invade our cinematic sensibilities in the hazy days of summer.

‘Ant-Man’ lead Paul Rudd, an affable actor that has shown various levels of competence in both comedies and dramas over the years, is the unlikely source to don an ant-oriented attire and let his charm and cheekiness take over as the tiny bugged-eyed avenger of right and might. Rudd plays Scott Lang, a former troubled lawbreaker and gifted engineer whose demons come back to haunt him when he gets involved in the burglary shenanigans with his bad news buddies (T.I. and Michael Pena). The reason for Lang’s lure back to crime: a cockeyed but convenient way to win over the affections of his estranged young daughter.

Interestingly, another great analytical mind of mechanics and science in stand-offish Hank Pym (Oscar-winner Michael Douglas) is spotlighted as he too struggles to relate to his daughter as well in the pretty Hope Van Dyne (Evangeline Lilly). Anyhow, Pym has a colorful backstory as it is revealed that he used to save the world from harm as the underrated crime-fighter Ant-Man. There was no glory or special recognition for Pym’s heroics as the buggy super-hero but his devotion to his crime-stopping craft was realized nevertheless.

As ANT-MAN Paul Rudd's Scott Lang has plans to stop the criminnal foolishness besides raiding a giant-sized picnic basket in Peyton Reed's modest costume caper.
As ANT-MAN Paul Rudd’s Scott Lang has plans to stop the criminal foolishness besides raiding a giant-sized picnic basket in Peyton Reed’s modest costume caper.
The conflicted father-daughter tandem of Pym and Hope eventually recruit the beleaguered Lang to climb into the exo-skeletal red-and-black suit and become the current Ant-Man to continue the mission of promoting goodness over evil. In this specific case, Lang’s Ant-Man is asked to foil the nefarious agenda of Pym’s former protege and associate Darren Cross (Corey Stoll) who threatens to expose the revolutionary shrinking technology to anyone sinister that offers him an insane and immediate price for such secretive scientific information that could jeopardize mankind in the long run. Of course, it goes without saying, that Cross has an ominous alter-ego in the vile Yellowjacket whose back-and-forth clashing with Lang’s Ant-Man leads to the calculating and corrosive chess game of one skillful insidious insect trying to outwit and outmaneuver a conscientious one.

Some may dismiss ‘Ant-Man’ as being too low-grade, cheesy and incidental in its confrontational canvas of saints versus sinners. Still, Reed’s handling of his Marvel-inspired ‘battle of the bugs’ is a winning formula in simplicity because it does not have to be rooted in a spectacular and showy landscape as the other successful bombastic blockbusters that come out of the frivolous factory of Hollywood. Essentially, ‘Ant-Man’ demonstrates the right kind of personality and prestige for its presentation as a scaled-down comic book actioner steeped in the personalized disillusionment of the characterizations and their assorted psyches. Sure, ‘Ant-Man’ will not let anyone forget its popular competitor in the much glorified and iconic standing of another insect-fighting Marvel mastermind in ‘Spider-Ma’n anytime soon. Yet Scott Lang’s Ant-Man is just as angst-ridden, impish, awkward and devoted as Peter Parker’s resilient web-headed wonder Spidey.

The drama unfolds so convincingly in ‘Ant-Man’ not so much because of the dire dilemma of comicbook goodness and badness but because of the examination of deteriorating relations between broken men and their families or more specifically between fathers and daughters. Both Rudd and Douglas are committed to their roles as the Ant-Men that saved the world with ease past and present but could not say the same thing about rescuing the domestic responsibilities that eluded them under their own roofs. As Lang tries to find an opening for forgiveness toward his little girl and remarried ex-wife (Judy Greer), his current adviser Pym struggles to put the pieces together with a disgruntled Hope that blames her father for the neglect of her well-being as well as the death of her beloved late mother known as the Wasp, a super-heroine that shined in her own shadow of accomplishment.

‘Ant-Man’ is a soulfully weird, witty sliced-down spectacle of a comicbook film that is rare in its skin to deliver the message of a connection not just to stamping out the cartoonish crime and chaos that is routinely found in the playful playground of Marvel’s movie machine of high-powered personalities armed with skillful brute and brilliance. It also has something called heart and hope as it tackles the alienation and isolation of fathers and their vulnerable daughters. It will take more than a gigantic can of Raid to destroy the indomitable presence of ‘Ant-Man’ and what his hedonistic heroics, both physical and psychological, bring to the prized picnic table.

Ant-Man (2015)

Walt Disney Studios

1 hr. 57 mins.

Starring: Paul Rudd, Michael Douglas, Evangeline Lilly, Crey Stall, Michael Pena, Tip “T.I.” Harris, Judy Greer, Bobby Cannavale, Wood Harris and Abby Ryder Fortson

Directed by: Peyton Reed

MPAA Rating: PG-13

Genre: Comic Book Fantasy, Super-heroes, Action and Adventure

Critic’s Rating: *** stars (out of 4 stars)
The Pocket Rocket.

Given the production problems and its long gestation period, Ant-Man is arguably far better than it had right to be. Unsurprisingly with a Marvel Super Hero film, the critical reactions have been mixed, but given it's not as gargantuan as most Marvel pics it proves to have a big entertaining heart. A pic cunningly viewing the Marvel Universe from a different angle, whilst also not over egging the pudding.

The effects work is impressive, the origin story narrative engrossing and with it carrying a lightness of touch, and there's a very enjoyable cast enthusiastically buying into the comic book frivolity. Sure, some of it's just plain daft, our hero's powers are hardly blunderbuss stuff, while the family melodramas bubbling away feel tired, but come the glorious finale, pandering to the child in us all, it's another Marvel winner readying itself for further adventures of Ant-Man. 7.5/10
> Size doesn't matter if he's a superhero who committed to save the world.

My confession is I never read 'Ant-man' comics and I never knew such kind of superhero even exist in Marvel till this movie was announced. (But I know Danish film 'Antboy'.) So I'm glad they brought cinematic version of 'Ant-man' and I'm sure he'll return to the next 'Avengers' as they promoted strongly in this film itself to know what would be the audience response. I don't know others, but I definitely welcome the idea.

Another CGI magic, another Marvel's wonder. As long as they pick the right cast and crew with a good story, the sci-fi like this continues to rule the cinema world. It was a great team work, that must be appreciated. As usual the top notch visuals as well the performances, even the sidekicks. But I was surprised to see when Paul Rudd was attached to this project. I believed it would be a comedy sci-fi packed with full of action, and I was wrong. It was a simple tale, a heist theme and of course it was fun to watch, but never was a comedy movie.

A wonderful beginning, especially for the first film in the series. You know strong foundation is the key to raise a building above. I know the sequels would only get better by progressing and it should be. Because in all the Marvel's superhero flicks, this one was the most family and young kids friendly. That does not mean there were no violence, but from the title to the characters and presentation, all were so casual and can be understood by all.

It was so great to see a legend like Michael Douglas to be a part in the modern movie. Now I am eager to see Evangeline Lily as Wasp-girl in the follow-up. It would be like Peter Pan and Tinker Bell, but in a sci-fi version. The extras were very interesting, I enjoyed them as well. If you're are yet to see the film, don't expect anything like Disney's 'Honey' trilogy, after all, if you enjoy the Marvel Cinematic Universe (MCU) then you would do same for it which is the twelfth to follow.

7.5/10
I like Paul Rudd and was hoping this would be as funny as 'The Guardians of the Galaxy' but it wasn't. It looked good and the direction was solid but I think it suffered from the constant screenplay rewrites that the film underwent by changing the screenwriters (Edgar Wright and Joe Cornish).

I also felt it was a bit too long-winded and it was unbalanced. However, the main good feature in this film was the special effects.

★★★
I have to say that I did not have great hopes for this movie. However, I found it surprisingly enjoyable. As can be expected from a Marvel super hero movie it is not the most intelligent plot around but instead rather heavy on special effects.

Having said that the plot is not bad given the context. I have never read any of the Ant-Man comics so I had no idea what to expect. The little expectation I had was of some guy turning into some ant like creature smashing things left right and center. So it was somewhat of a surprise to me when I found out that the guy was actually shrinking himself to ant size. Actually I went a bit “what the f…” when I first realized this and felt that this was going to be boring.

However, in the end, I felt it worked out quite well. If it would have just been about some guy shrinking himself then it would indeed have been somewhat boring but the added coolness of this guy being able to command armies of bad-ass ants really helped stave of the boredom.

As I wrote above it is a Marvel super hero movie so it is heavy on special effects and, personally, I felt they where quite okay. There is of course quite a bit of action in the movie as well as a bit of humour. I quite liked the parts where the Ant-Man and his nemesis slugged it out in a children’s room and a giant size Thomas the Tank Engine was thrown through the roof and into the garden. Maybe I liked it because Thomas the Tank Engine is a TV show that my kids liked to watch when they were smaller. There where of course a few of the usual Hollywood silly, brain-dead stunts like the tank scene. It could have been so cool but it was really ruined by the total lack of intelligence in the stunt following the cool revelation.

I really liked Michael Douglas as Dr. Hank Pym as well as Evangeline Lilly as Hope Van Dyne. I was not too impressed by Paul Rudd but on the while I guess he was not too bad. It is a bit of a shame though that when Hollywood feels they need to throw in a bit of family drama they always have to throw in a divorce. It is rather depressing for us that have lived through such a tragedy after all.

Bottom line, this was a surprisingly enjoyable movie. Far better than quite a few of the super hero movies that Marvel/Hollywood have produced like for instance the abysmal Spiderman movies although that is of course a personal opinion.
Less spectacle than most MCU films have been serving up, particularly in phase two, but the story and characterisation is actually a little stronger than the past couple of tales Marvel has served up.

Villain Darren Cross, AKA “Yellowjacket” (originally a hero in the comics) lacks the onscreen presence of top tier Marvel-evil Loki, but is certainly one of the stronger offerings the MCU has given us. His twisted relationship with his former mentor gives another level to this Marvel film not seen since _Winter Soldier_.

Not so much a super hero film as a super heist film, _Ant-Man_ was a welcome refreshment to the comic book movie party, and though I always like to give myself some time to find exactly where MCU films fit in my overall experience, at the moment I would say _Ant-Man_ sits somewhere comfortably in the middle, maybe even a bit below, but is still well worth a watch, even for those who aren’t deeply involved with the film series as a whole.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
***Ant-Man?***

Released in 2015, "Ant-Man" stars Paul Rudd as Scott Lang, a cat burglar who is offered redemption and the opportunity to be a hero. Michael Douglas plays his mentor, Hank Pym, and Evangeline Lilly Pym's daughter; meanwhile Corey Stoll co-stars as the heavy.

In my vast arsenal of old comics I have only one issue where Ant-Man is the main star: Marvel Feature #10, which featured Hank Pym as the hero, not to mention his wife, the Wasp, AKA Janet van Dyne. The character's run in that comic ceased with that very issue. By the 80s Scott Lang, a good-intentioned thief, became Ant-Man after stealing Pym's Ant-Man suit to save his daughter. With the encouragement of Pym, Lang became Ant-Man full-time.

The movie is based on these events and I was surprised at how entertaining it is considering how relatively minor the hero is. The movie even makes a joke about this when Ant-Man comes face-to-face with the Falcon (Anthony Mackie). Speaking of which, it's great to see the Falcon in action. It's also great to see Yellowjacket who, in the comics, was Hank Pym after Lang took over as Ant-Man. In the movie Yellowjacket is the villain (Stoll), which is okay since Pym's Yellowjacket in the comics sort of became a villain when he had a mental breakdown and was eventually divorced by Janet, the Wasp. The filmmakers incidentally did an excellent job with the Yellowjacket suit.

"Ant-Man" was a surprise hit at the box office and understandably so. It's a quality superhero flick done with style and brimming with confidence. It's nothing more than this, but that's all it needs to be. It's nice to see Michael Douglas who was, believe-it-or-not, 70 years-old during shooting. He shines in the movie as Pym and could easily pass for ten years younger. I also really liked the Quantum Realm sequence when Lang is reduced to microscopic size.

The film runs 117 minutes and was shot in Georgia and San Francisco, CA. ADDITIONAL CAST: Judy Greer, Bobby Cannavale and Michael Peña.

GRADE: B+/A-
Ant-Man is a much needed breath of fresh air from all the city-breaking, galaxy saving epicness of the past five Marvel movies. It's a nice, light, fun heist movie with some pretty cool effects and a great cast of characters.

Michael Pena, T.I. and David Dastmalchian make this movie so much more enjoyable. Not that Paul Rudd, Evangeline Lilly, Michael Douglas, and Corey Still aren't great, but those three as a sidekick trio crack me up.

Edgar Wright's stamp is all over this movie and it's a shame his directorial touch is missing, because he would have known what to remove to make it even better.

But all in all, Ant-Man is great entertainment with a feel good story about a man trying to be the hero his kid thinks he is.

"

[HD] Ant-Man 2015 Film AZ

Kısa film

Harcandı : $552,197,652

Gelir : $654,399,403

Kategoriler : Lustig - Vernachlässigung , Maritimes Drama - Documenteur Schwarz , Literatur - Monster , Heuchelei - Reality Fear Object Magic

Üretici Ülke : Bolivien

Prodüksiyon : 3DigitalVision

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Armed with the astonishing ability to shrink in scale but increase in strength, master thief Scott Lang must embrace his inner-hero and help his mentor, Doctor Hank Pym, protect the secret behind his spectacular Ant-Man suit from a new generation of towering threats. Against seemingly insurmountable obstacles, Pym and Lang must plan and pull off a heist that will save the world.
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The Hunger Games: Mockingjay - Part 2 2015 Film AZ

The Hunger Games: Mockingjay - Part 2 Film AZ 2015

süre : 195 dakika Stimmen,

seçim sonucu müzik parçası : 5.7/10 (94164 oylamak)
yapı : MPEG 720p
BRRip
seyretmek : 6883
sanat : Asyl , Geschichte
dil : HM,GL,TT,BY,UZ,IO,ZW,LB,ASM, DJI, MDA, OMN, PNG
tip : 2.4/10 (92334 Abstimmung)

The Hunger Games: Mockingjay - Part 2 2015 Film AZ

The Hunger Games: Mockingjay - Part 2 Film AZ-alanya-VHSRip-2015-AVCHD-AVCHD-uncut-online stream-blu ray-auf englisch-MPEG-BDRip-Bluray-italienisch.mp4

The Hunger Games: Mockingjay - Part 2-giresun-online anschauen-2015-WMV-HDTS-WEBrip-film-englisch-MPG-BRRip-stream-untertitel-SDDS.png

The Hunger Games creator and mastermind Suzanne Collins has brought to life the explosive and resilient heroine Katniss Everdeen (not to mention the resourceful actress stepping into her action-oriented shoes and consciousness in the form of Oscar-winning actress Jennifer Lawrence). Now with the conclusive The Hunger Games: Mockingjay--Part 2 ardent and casual fans of this imaginative and charged film franchise will get a chance to soak in the cinematic experience that has carried them through this durable trilogy. However, the question remains: does Mockingjay--Part 2 fulfill the adventurous swagger of its previous predecessors as it demonstrates its furious farewell in moodiness and mischievousness? Well, the answer is a resounding YES but some will still address the concept of the film's emotional and psychological leanings as merely serviceable to a string of feisty films that invited such passion, pronouncement and promise in its commentary on class struggle and societal survival means as a whole.

The Hunger Games cinematic installments (and of course Collins's riveting literary outlets) have always been a solid and secure movie-going moment because it offered what so few action-packed features entailed: a perceptive and honest if not hedonistic look at the politics in the human psyche set aside from the rough-and-tumble sequences of action and suspense. The Games that were played in the minds of the audience were intriguing, thoughtful, compelling and smart about its wits and wisdom. All The Hunger Games editions were message-driven and presented a special kind of indescribable opulence and openness that was refreshing. Sure, there are the highs and lows that comes with the territory when mapping out a showcase of sequels bound to stumble on its lapses in story and characterization. Still, for the most part The Hunger Games: Mockingjay--Part 2 leaves the viewers wanting more but being compliant with what amounts to be the swan song for courageous cutie Katniss Everdeen's big screen legacy.

It is quite clear that The Hunger Games: Mockingjay--Part 2 and its previous outings has carved a decisive niche into the Young Adult film fiction genre as one of the most successful and consistently received chapters that sparkled in its over-glow of gallant gumption and soul-searching turmoil. Indeed, Mockingjay--Part 2 does add its measurement of tension, radiance, redemption and resolution. Importantly, Mockingjay--Part 2 maintains its reflective and steady balance of hope and rebellious vibes and Lawrence has not lost a single ounce of momentum in the few years since she donned the respectable defiance of the roguish Katniss out to settle a continuous score with the controlling powers-that-be. Instinctively, labeling The Hunger Games motivating movie series as a pop cultural phenom would not risk the intention of sounding overdramatic because for the most part this film franchise has been a saving grace to the aforementioned Young Adult film fiction craze that has offered cemented substance in comparison to the soapy sentiments of the immense Twilight umbrella that spread like wildfire in the unguarded woods years before.

As one can imagine Mockingjay--Part 2 picks up where the first Mockingjay left off in its initial premise. Director Francis Lawrence (back at the helm) starts his narrative rather slow and plodding but builds up the sassy momentum as his on-screen victorious vixen Katniss Everdeen pounces on her latest exploits to expose and agitate the corruptible Capitol and its lead manipulator in the likes of the diabolical President Snow (Donald Sutherland). The good news is that the determined Katniss is finally reunited with her former Games companion and romantic partner Peeta Mellark (Josh Hutcherson). The bad news is that poor Peeta has been manipulated and convinced to view Katniss as an enemy courtesy of Snow's menacing minions. Automatically, this is the difficult wedge that puts a damper on Katniss's ability to go after Snow and his vile followers with Peeta serving as their brainwashed Boy Wonder with the forced hatred in tact.

So now the course is set for Katniss Everdeen to follow as she decides to pursue her intentions of gradually taking down the governmental negligence of Snow and his abominable administration. Naturally, Katniss needs the assistance of the rebels under the tutelage of District 13's President Alma Coin (Oscar-winner Julianne Moore) as well as the input from wily gamemaster Plutarch Heavensbee (late Oscar-winner Phillip Seymour Hoffman) to take down the dangerous and devious Snow and his governmental criminal cronies. Politically, the opportunistic Coin wants Katniss in her camp for the mere promotion of propaganda...something that just does not sit well with the feminine avenger.

The stakes are understandably high but Katniss is in company with the likes of her childhood sweetie pie Gale (Liam Hemsworth) and old-time buddy Finnick Odair (Sam Claflin) as they join forces to combat the evil clutched of the Capitol. The bottom line: the venomous President Snow needs to be cut down in his treacherous tracks...plain and simple.

Quite frankly, the beleaguered Katniss is caught up in the complicated web of a couple of political powerhouses in the insufferable Snow (that wants to destroy her) and Coin (that wants to use her reputation for marketing purposes) willing to go at it while using Katniss's exposed neck as the sacrificial pawn to determine their sense of twisted greatness. For the most part, The Hunger Games: Mockingjay--Part 2 does present a skillful display of confusion and identity and Lawrence's death-dodging diva Katniss Everdeen is the epitome of a Girl on Fire with flames of indecision and doubt burning all around her. Who can she trust? Who has the fortitude to stick with the plan and ensure that the tedious target of Snow is silenced for sure? Can Katniss overcome the obstacles of her great love Peeta's perverse distaste for her while battling one narcissistic leader as another one she is joined at the hip exploits her presence? There seems to be a constant continuity for conflict in warfare and wounded souls that elevates Mockingjay--Part 2 as a boisterous board game of physical and psychological movement. As usual, Lawrence's Katniss carries the animated strife on her dainty yet athletic shoulders with bouncy boldness.

After four exhilarating films, The Hunger Games empire does not crumble but comes to a full scale halt as it understands the allegory claims for the distrusting contemporary times we all live in regarding the cynicism, abuse of privilege and the underestimation of the weary masses being led astray by the controlling elite of unassuming movers and shakers. The audacity of The Hunger Games odyssey was to get down and dirty about the give-and-take tendencies of a global society willing to challenge the authoritative scrutiny or kneel at its merciless ankles. Perhaps Mockingjay--Part 2 should not be perceived so deeply in its final revelation. Nevertheless, the effort in trying to do so should be acknowledged for an actioner that dared to approach such thought-provoking fodder within its bombastic boundaries.

The Hunger Games: Mockingjay--Part 2 (2015)

Lionsgate Films

2 hrs. 17 mins.

Starring: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Donald Sutherland, Philip Seymour Hoffman, Julianne Moore, Willow Shields, Sam Claflin, Elisabeth Banks, Mahershala Ali, Jena Malone, Jeffrey Wright, Paula Malcomson, Stanley Tucci, Michelle Forbes

Directed by: Francis Lawrence

MPAA Rating: PG-13

Genre: Science Fiction and Fantasy/Action and Adventure

Critic's rating: *** stars (out of 4 stars)

(c) Frank Ochieng 2015
The movie is not bad directed and the cast does a decent job. Actually, the script is a good adaptation of the book.

The problem is that the story of the book is already quite bad and has gone down the sink by now so the whole movie just doesn't work.
> A necessary finishing touch with an unnecessary lag.

If the single book 'The Hobbit' was extended to three movies, then that's alright, because that was a large concept with hundreds of unique characters which can take the stretch in narration. But for this series, lucky to be the first film to get away with a big hit, mainly because of teen audience.

Honestly, I liked the 2nd film very much, but the third movie was a letdown, especially this one was utterly useless. Because the 80% of the story ended in the previous part and in this, it was a necessary finishing touch with an unnecessary lag.

Might have been a better film if the 'Mockingjay' was a single movie. Nowadays there are many strange ways to make money, the art of storytelling in the movies is slowing vanishing while adapting a book for the silver screen by splitting them into two and/or three. This culture has to stop, the book fans are enjoying the original masterpiece, while film fanatic like me is suffering a setback. In this 2 hour long movie there are lots of scenes that simply wastes time to bring sufficient runtime.

Due to the circumstances that I mentioned, the flow was disturbed, mainly because of the release gap between the last two films. Emotions are not felt, actions were weakened, you could only recognise it rushing towards the conclusion. And that section should have been the ultimatum, what comes later is what we call 'happily ever after or the other way' should have been very brief, but in here it was not. Like a new beginning of a new story, it went on too far.

From the screenwriter's perspective that has to be done. I had seen the split movies like 'Twilight', 'Harry Potter' and others, but this one was the worst among them. Even if you try all the four movies in a single sitting, the first two will be the best you can get and the followed two would surely disappoint you because of the slowness.

5/10
Well, that was rather disappointing unfortunately. Not that I can say that I am very surprised though. The first installment in the series started off being "okayish" and the rest of them slid downwards towards mediocrity. This, the final installment, is a notch below mediocre as far as I am concerned. I really cannot understand all the hype about these movies. None of them really shines even if you try to look at them as young adult movies which they really are.

This one was downright boring. There were numerous scenes where Katniss or some other character was just dreaming away or sitting around brooding. It took quite a while for anything to start happening in the movie.

When something started happening it was the same mess of political, unbelievably stupid, propaganda, messy and unintelligent fight scenes, Katniss walking around looking, I do not really known, disconcerted, sad, disturbed, whatever.

How the chief villains (yes plural) was one could figure out without too much effort. The moment the flyer came into the picture and started to fly over the refuges and the children not only I but all of my kids as well guessed who had sent it.

There is really only two things that I liked about this movie. One is that Donald Sutherland was really good. The other is the ending which, although being 100% predictable, was quite satisfying. Well, that scene (everyone having seen the movie knows which scene I am referring to) is where I consider the movie to have ended. After that it was only boring filler scenes remaining.

"

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With the nation of Panem in a full scale war, Katniss confronts President Snow in the final showdown. Teamed with a group of her closest friends – including Gale, Finnick, and Peeta – Katniss goes off on a mission with the unit from District 13 as they risk their lives to stage an assassination attempt on President Snow who has become increasingly obsessed with destroying her. The mortal traps, enemies, and moral choices that await Katniss will challenge her more than any arena she faced in The Hunger Games.
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